Cimatics Masterclass Live A/V: skype meeting tomorrow?

Cimatics presents
A MASTERCLASS FOR LIVE AUDIOVISUAL ART

Cimatics, Brussels International Platform for Live A/V, presents a Masterclass Live Audiovisual Art, within the framework of the studio-program Experimental Media-art provided by the VAF (the Flemish Audiovisual Fund).
Because the biggest merit of live A/V is its cross-border and cross-disciplinary character the masterclass will challenge its participants to do just that: collaborate.

THIS BLOG WILL BE PRINTED AND PUBLISHED AS A BOOK

The goal of this blog is to generate an open-source effect: opening up the discussions from within the masterclass to the rest of the world. Let this be a call for everyone to participate and join or start a debate.

Eventually, this blog will be printed as a book. An additional DVD with the open-source versions (Creative Commons license) of the participants masterclass-projects will be available afterwards. So if you post something to this blog, you are co-authoring the book.

POST HERE

Tuesday, February 12, 2008

skype meeting tomorrow?

hello guys,
i sent emails yesterday but i received no answer :(
who's gonna be on skype tomorrow for a chat?
tomorrow afternoon at 18.00 is ok? JP? Michael?
Someone else?
bytw my skype is mat_kinotek,
let me know who will join..

mat

3 comments:

rx said...: it's ok for me; 12 February 2008 at 16:39
michael said...: i can be online max. until 17:30 - then i have to leave.... else would be nice if you could put a kind of review/report of your conversation on the blog - i can participate (comment) with some time delay ;); 13 February 2008 at 09:11
videology said...: hi, i will ry to make it on skype tonite.; 13 February 2008 at 11:01

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Marius Watz is an artist working with visual abstraction through generative processes. An autodidact, he dropped out of Computer Science studies to pursue visual work through programming. His work is known for its bold colors and strong geometric composition, and has been exhibited extensively in the international media art scene.

Watz is the founder of Generator.x, a blog and series of events related to generative art and design. He is currently teaching at the Oslo National Academy of the Arts and the Oslo School of Architecture and Design, lecturing on computational strategies for artists and designers.

www.generatorx.no
www.unlekker.net

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Billy Roisz specializes in feedback video and video/sound interaction, exploring the links and gaps between seeing and hearing, images and sounds - using monitors, cameras, video mixingdesks, a selfbuilt videosynth, computer and turntables for video and sound generating. She is member of NTSC (/w dieb13), AVVA (/w Toshimaru Nakamura) & LÄUSE (/w eRikm & dieb13) . Roisz has released around fifteen individual music videos, most of them are distributed by sixpackfilm/vienna.

gnu.klingt.org
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Debackere did the composition and sound design for films from Herman Asselberghs, Marnix de Nijs and he is currently working for Chris Mergans' animation film 'Goed Nieuws' and for Noud Heerkens' feature film 'La Voix Humaine'.

www.rotorscoop.net

Eavesdropper; Yves De Mey started out as a drum'n'bass and breakbeat producer. After playing extensively throughout Flanders and a few releases he got asked to make a score for 'Aars', a huge theatre play by Het Toneelhuis – Antwerp. One year later, he made the soundtrack for 'Scratching the Inner Fields' by Wim Vandekeybus/Ultima Vez.
Since then, Eavesdropper has been very active on different levels; sound installations, scores for dance, theatre, performance and film, sound design for film and commercials, DJ-sets, live gigs and many more.
He also runs the lo profile label Knobsounds and collaborates with Glamor Is Undead.

www.knobsounds.com

Jerry Galle When Jerry Galle started painting, he was influenced by the old black-and-white photography by pioneers such as Fox Talbot and Niepce. The gradual decay of these photographs but also the sensuality belonging to this, resurfaced in the way Galle played with light in his paintings. Contingencies occurring during the reproduction process and susceptibility to the progress of time, made the accurate replication of photographic images impossible. The neutral and machine-like reproduction of images was contaminated with an accidental naturalness that gave a tactile dimension to the image. This recurrence of small defects and spontaneous unevenness is more related to poetic expression than to neutral copying.
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www.fuzzylogic.be

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The web site and the associated upcoming publications bring together work by the foremost practitioners and academics in the field, either developed independently or collectively.

www.vjtheory.net

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www.lab-au.com

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www.markamerika.com

Olga Mink (NL)

Kristof Deborle (BE)

Denise Pakes (NL)

Michael Langeder (AT)

Jean-Paul Frenay aka rx (BE)

Filip Sterckx (BE)

Charlotta Ruth (SE)

Sarah Geirnaert (BE)

Mattia Cassalegno (IT)

Ambra Pittoni (IT)

Arnold Hoogerwerf (NL)