Cimatics Masterclass Live A/V: transparent screens?

Cimatics presents
A MASTERCLASS FOR LIVE AUDIOVISUAL ART

Cimatics, Brussels International Platform for Live A/V, presents a Masterclass Live Audiovisual Art, within the framework of the studio-program Experimental Media-art provided by the VAF (the Flemish Audiovisual Fund).
Because the biggest merit of live A/V is its cross-border and cross-disciplinary character the masterclass will challenge its participants to do just that: collaborate.

THIS BLOG WILL BE PRINTED AND PUBLISHED AS A BOOK

The goal of this blog is to generate an open-source effect: opening up the discussions from within the masterclass to the rest of the world. Let this be a call for everyone to participate and join or start a debate.

Eventually, this blog will be printed as a book. An additional DVD with the open-source versions (Creative Commons license) of the participants masterclass-projects will be available afterwards. So if you post something to this blog, you are co-authoring the book.

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Monday, February 11, 2008

transparent screens?

Hello,

is there anyone who knows more about transparant or semi-transparent projection screens...? What kind of material can we use for it? (it's for my project with Sarah)

Thanks

1 comment:

michael said...: gerriets offer a wide range of screens that my help you to get an overview of possibilities. you can order size of your own choice and its not too expensive as i heard...
http://www.gerriets.com/en/products/screens/index.php

something bit different but just to think that a screen can be more than a screen...
semi transparent concrete:
http://www.we-make-money-not-art.com/archives/2006/11/while-screen-te.php; 11 February 2008 at 16:56

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Marius Watz is an artist working with visual abstraction through generative processes. An autodidact, he dropped out of Computer Science studies to pursue visual work through programming. His work is known for its bold colors and strong geometric composition, and has been exhibited extensively in the international media art scene.

Watz is the founder of Generator.x, a blog and series of events related to generative art and design. He is currently teaching at the Oslo National Academy of the Arts and the Oslo School of Architecture and Design, lecturing on computational strategies for artists and designers.

www.generatorx.no
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Billy Roisz specializes in feedback video and video/sound interaction, exploring the links and gaps between seeing and hearing, images and sounds - using monitors, cameras, video mixingdesks, a selfbuilt videosynth, computer and turntables for video and sound generating. She is member of NTSC (/w dieb13), AVVA (/w Toshimaru Nakamura) & LÄUSE (/w eRikm & dieb13) . Roisz has released around fifteen individual music videos, most of them are distributed by sixpackfilm/vienna.

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Debackere did the composition and sound design for films from Herman Asselberghs, Marnix de Nijs and he is currently working for Chris Mergans' animation film 'Goed Nieuws' and for Noud Heerkens' feature film 'La Voix Humaine'.

www.rotorscoop.net

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He also runs the lo profile label Knobsounds and collaborates with Glamor Is Undead.

www.knobsounds.com

Jerry Galle When Jerry Galle started painting, he was influenced by the old black-and-white photography by pioneers such as Fox Talbot and Niepce. The gradual decay of these photographs but also the sensuality belonging to this, resurfaced in the way Galle played with light in his paintings. Contingencies occurring during the reproduction process and susceptibility to the progress of time, made the accurate replication of photographic images impossible. The neutral and machine-like reproduction of images was contaminated with an accidental naturalness that gave a tactile dimension to the image. This recurrence of small defects and spontaneous unevenness is more related to poetic expression than to neutral copying.
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The web site and the associated upcoming publications bring together work by the foremost practitioners and academics in the field, either developed independently or collectively.

www.vjtheory.net

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LAb[au] has exhibited its work at Sonar (Barcelona, 2004), New Museaum (New York, 2003), Nabi Art Center (Seoul, 2003), Bauhaus (Dessau, several times), ICA (London, 2002), Louvre (Paris, 2000), Ars Elektronica (Linz, 1999), Centre Georges Pompidou (Paris, several times), NAI ( Rotterdam, 1998) among many others.

www.lab-au.com

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www.markamerika.com

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