Cimatics presents
A MASTERCLASS FOR LIVE AUDIOVISUAL ART
Cimatics, Brussels International Platform for Live A/V, presents a Masterclass Live Audiovisual Art, within the framework of the studio-program Experimental Media-art provided by the VAF (the Flemish Audiovisual Fund).
Because the biggest merit of live A/V is its cross-border and cross-disciplinary character the masterclass will challenge its participants to do just that: collaborate.
THIS BLOG WILL BE PRINTED AND PUBLISHED AS A BOOK

The goal of this blog is to generate an open-source effect: opening up the discussions from within the masterclass to the rest of the world. Let this be a call for everyone to participate and join or start a debate.
 
Eventually, this blog will be printed as a book. An additional DVD with the open-source versions (Creative Commons license) of the participants masterclass-projects will be available afterwards. So if you post something to this blog, you are co-authoring the book.

POST HERE

Showing posts with label Lotta. Show all posts
Showing posts with label Lotta. Show all posts

Thursday, January 17, 2008

Live Stage: GLOW (nyc)



Chunky Move: Glow :: February 7-9, 2008; 7:30 pm and 9:30 pm :: February 10, 2 pm and 3:30 pm :: The Kitchen, 512 West 19th Street, NYC :: Co-Presented with The Joyce Theater.

Glow is an illuminating choreographic essay by Artistic Director Gideon Obarzanek and interactive software creator Frieder Weiss. Beneath the glow of a sophisticated video tracking system, a lone organic being mutates in and out of human form into unfamiliar, sensual and grotesque creature states.

Utilising the latest in interactive video technologies a digital landscape is generated in real time in response to the dancer's movement. The body's gestures are extended by and in turn manipulate the video world that surrounds it, rendering no two performances exactly the same.

In Glow, light and moving graphics are not pre-rendered video playback but rather images constantly generated by various algorithms responding to movement. In most conventional works employing projection lighting, the dancer's position and timing have to be completely fixed to the space and timeline of the video playback. Their role is reduced to the difficult chore of making every performance an exact facsimile of the original. In Glow, the machine sees the performer and responds to their actions, unlocking them from a relationship of restriction and tedium.

Tuesday, January 15, 2008

Morf gogo dancing and VJ:ing

Hey!

...with a slight alteration I think the thing I wrote before (projections on bodies) would be very interesting and well functioning as an ongoing act in a club... (thanx Bram).

Picture the (maybe) 2 performers instead off the ground (still on two sides of a room) above club audience and think that what happens is a morf of gogo dancing and VJ:ing that plays with the old roles of both medias. I think the human transformation idea is really cool to explore in that kind of environment. Also I think strong images built up in a more vj like dramaturgy (I don't know much but...) would really add something to the whole concept.

See You!

Wednesday, January 09, 2008

flat in Brussels

Ambra,
I totally like your idea, but as I said in the workshop it's hard for me to leave my home base (Stockholm) much more than I already do. I will think of ways for me to contribute even if I can't be physically present as much as I wish.

Lotta

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