Cimatics presents
A MASTERCLASS FOR LIVE AUDIOVISUAL ART
Cimatics, Brussels International Platform for Live A/V, presents a Masterclass Live Audiovisual Art, within the framework of the studio-program Experimental Media-art provided by the VAF (the Flemish Audiovisual Fund).
Because the biggest merit of live A/V is its cross-border and cross-disciplinary character the masterclass will challenge its participants to do just that: collaborate.
THIS BLOG WILL BE PRINTED AND PUBLISHED AS A BOOK

The goal of this blog is to generate an open-source effect: opening up the discussions from within the masterclass to the rest of the world. Let this be a call for everyone to participate and join or start a debate.
 
Eventually, this blog will be printed as a book. An additional DVD with the open-source versions (Creative Commons license) of the participants masterclass-projects will be available afterwards. So if you post something to this blog, you are co-authoring the book.

POST HERE

Wednesday, April 02, 2008

Arnold's personal approach to the flat corner proposal

For me, the experiments we do within the context of the Cimatics
Masterclass, give me the opportunity to explore different possibilities
regarding live video and sound in interaction with the moving body in a
space.

For a long time already i want to do research on this subject. By making a
space ‘sensitive’ by means of different sensors, this space can become an
organism that communicates with an observer/performer. Working with
choreographers is in this context therefore very inspiring.

On a more conceptual level, a book i just recently started reading, “New
Philosophy For New Media” (Mark B. Hansen, 2006) can give us a lot of
input, especially on the subject of the human body in relation to new
(interactive) media.

The workshops of the Cimatics Masterclass will give me the chance to do
hands on experiments and through that, our group can hopefully turn these
experiments in to a live public (modern dance-)performance.

Experiments i will focus on (and will technically ‘lead’) are:
-Motion tracking with the camera on the ceiling, making a projected face stay
on the performer's body while moving through the space.
-Sound (generated granular sounds of the body, environmental sound).
-Interaction with live sound (for instance: voice triggering
movement/distortion of video projection, movement of body triggering
sound)
-Live filming and projecting with a delay, creating ‘temporal distortions’
-Motion tracking with the camera in front.
-Color motion tracking.

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